Erwin Wurm - Wittgensteinian Grammar of Physical Education
Within the exhibition space are smatterings of clay models denoting existing buildings of European
and American architecture - all malformed from the artist having punched, crushed and kicked the works with his own body weight. These traces of destruction are frozen through castings in bronze, acrylic or even polyester, and embellished with silver or gold-plating.
posted: 19 July 2013 @ 19:42